LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION NOW AVAILABLE IN A NEW PAPERBACK EDITION In a time of war, what is the shape of love? Saba arrives in an East African refugee camp as a young girl, devastated to have been wrenched from school and forced to abandon her books as her family flees to safety. In this unfamiliar, crowded and often hostile community, she must carve out a new existence. As she struggles to maintain her sense of self, she remains fiercely protective of her mute brother, Hagos – each sibling resisting the roles gender and society assign. Through a cast of complex, beautifully-drawn characters, Sulaiman Addonia questions what it means to be a man, to be a woman, to be an individual when circumstance has forced the loss of all that makes a home or a future. ‘The exchange of masculine and feminine roles within the context of a sexually conservative culture makes for a gripping and courageous narrative. Guardian ‘[A] richly written second novel, which brims with the sensory flavours of remembered experience.’ Daily Mail
Sulaiman Addonia is a novelist who fled Eritrea as a refugee in childhood. He spent his early life in a refugee camp in Sudan following the Om Hajar massacre in 1976, and in his early teens he lived and studied in Jeddah, Saudi Arabia. He arrived in London as an underage unaccompanied refugee without a word of English and went on to earn an MA in Development Studies from SOAS and a BSc in Economics from UCL. The Consequences of Love was shortlisted for the Commonwealth Writers’ Prize and was translated into more than 20 languages. Sulaiman Addonia currently lives in Brussels where he has launched a creative writing academy for refugees and asylum seekers. Silence is My Mother Tongue is his second novel.