»Mit dem Mord an George Floyd bekommen die drastischen Kurzgeschichten des Afroamerikaners Nana Kwame Adjei-Brenyah in dem Band ›Friday Black‹ einmal mehr eine traurige Aktualität. Aktueller kann eine Sammlung von Kurzgeschichten kaum sein.« (Deutschlandfunk Kultur, Johannes Kaiser)
Gambit: Newer African Writing is a unique collection of nine interviews and original short stories by emerging writers from across Africa. The stories in this anthology reflect the nuances that arise from living in a post-postcolonial Africa, where stereotypes are crumbling and writers are willing to tackle themes that are more social than political. Unlike other anthologies of African writing, Gambit's contributors are mostly based in their home countries, putting them closer to the themes they lyrically confront.
Fana’s eyes wandered from one corner to another. Joburg people! he thought. Why would a person buy such an expensive car but live in a place like this? He shook his head. This is Johussleburg and everyone here is suffering from affluenza. Almost every black person pretends to be rich while staying in a rented room. Didn’t he just pay for the ladies’ expensive drinks with his credit card when he already skipped two instalments on his car? Who was he to judge?
In September 2018, the Goethe Institut announced a new project for writers of young adult fiction on the continent. The project called AfroYoung Adult, coordinated by publisher and novelist Zukiswa Wanner, aimed at shining a light on fiction for young adults, a demographic often ignored in writing circles. To this end, the Goethe-Institut invited aspiring African writers interested in writing for Young Adults to submit short stories in Kiswahili, English or French.
If there's one thing the characters in Jennifer Makumbi's stories know, it's how to field an uncomfortable question. 'Let me buy you a cup of tea...what are you doing in England?' 'Do these children of yours speak any Luganda?' 'Did you know that man Idi Amin?' But perhaps the most difficult question of all is the one they ask themselves: 'You mean this is England?' Told with empathy, humour and compassion, these vibrant, kaleidoscopic stories re-imagine the journey of Ugandans who choose to make England their home.
Presenting a diverse and dazzling collection from all over the continent, from Morocco to Zimbabwe, Uganda to Kenya. Helon Habila focuses on younger, newer writers - contrasted with some of their older, more established peers - to give a fascinating picture of a new and more liberated Africa. These writers are characterized by their engagement with the wider world and the opportunities offered by the end of apartheid, the end of civil wars and dictatorships, and the possibilities of free movement. Their work is inspired by travel and exile. They are liberated, global and expansive.